The Dynamometer, originally created by Alfred Jarry in his novel Supermale, as envisioned by artist Russel Mills.
Illustration from
Necronomicon by artist
H.R. Giger.
Artist: Mike Wilkes. Detail (
click here for full image).
Detail of The Perpetual Motion Machine, from Alfred Jarry’s
Supermale, Illustrated by
Russel Mills (
click here for full image).
And let’s not forget that enigmatic architectural face, or “Cybertectural Animot,” which began the post. It is a detail of a piece depicting walking cities by artist Mike Wilkes, and you can click here to see the full image.
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You might look at these images of the future and find them stylistically dated, and they are 30 years old at this point, literally images of futures past, so I wouldn’t argue with you. I do think, however, that in a very palpable way these images, and images like them from the late 50’s all the way through the early 80’s, represent something which, in sci-fi’s drive toward the future, and possibly more to the point its drive toward “respectability,” the marketers of the genre have let slip away. That thing being Style.
A critique of the current face of science fiction and fantasy, as embodied in its book covers, is a voyage I plan to undertake, enthusiastically, in a future post. So I’ll just leave it at that for now.
In the meantime I hope you enjoyed these at least as much as those Strand cashiers seemed to, and I hope the sensation of feeling nostalgia for decades old visions of the future which have not nor may ever arrive is not to off-putting. Likewise I hope deeper reflection on the oddity of such a feeling does not leave any ugly bruises on your brain.
Until next time…
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Gorgeous and creepy all at once. Great stuff. Thanks so much for posting these. I’ve always loved the illustrations Daniel Mróz did for Stanislaw Lem’s The Cyberiad, and I assumed those would simply remain my favorite sci-fi lit illustrations. These open up a new bloom in the brain.