The title, Three Weeks, did not constitute some snickering school-chum in-joke, nor was it plucked, between clever forefinger and aping thumb, from some Borges or Beckett quotation. No, the title Three Weeks was an simple admission: This will be quite possibly the only paper which intentionally adheres to a tri-weekly publication schedule.

For 18 issues, three-weeks-in, three-weeks-out, the editor Henry William Brownejohns, delivered a stylish, funny, and highly intelligent paper, which believe it or not was free, or effectively so, in that the asking price (after issue #3) was “two cents, voluntary.”

In a 2001 piece titled High-Button News New York Press columnist John Strausbaugh took notice and conducted what I believe to be the one and only official interview with Brownejohns, beginning:

The paper also featured a column called The Eavesdropper which transcribed interesting overheard conversations and predates Overheard in New York (and its book deal) by a good long stretch. 

In all the paper followed its spirit guides admirably, they being a beaming Washington Irving and a scowling H.L. Mencken.

I had the good fortune of having been acquainted with Mr. Brownejohns. We would occasionally share a libation on MacDougal street or browse the nearby record shops. (I remember distinctly that we disagreed on the musical merits of Steely Dan.) This was before The Nonist existed and though he seemed amenable to the idea of my contributing something to Three Weeks I was at that time still focussed mainly on the visual arts and didn’t posses the discipline to be a contributor to any undertaking of even moderate import, let alone a wonderful paper such as Three weeks. It’s a missed opportunity I regret to this day.

Since the last issue of the paper was published in October of 2002, I’ve lost contact with Brownjohns. He was nice enough to hand over a small package containing a complete run of the paper as a birthday gift that year, after which he seemed to disappear utterly. A shame.

I’d always intended on doing a post about Three Weeks here in that I admire it greatly, but I could never decide how to approach it in such a way to do it justice. Short of transcribing every issue there didn’t seem a way. Well I’m happy to say only recently I was dumbfounded to find that some other enterprising soul had done every groaning moment of the heavy lifting for me:

BROWNEJOHNS.ORG The Henry William Brownejohns Appreciation Page contains transcriptions of all 18 issues as well as cover scans and a few subsequent pieces written by the paper’s staff after its cessation.

I think it’s wonderful that those who were not around New York during the small window of the paper’s existence can now enjoy Three Weeks online. I heartily recommend that any of you with a love for the written word bookmark the site and begin reading straight away. You will not be disappointed, I promise.

Lastly, on the off-chance that Brownjohns has finally made the begrudging leap into cyberspace, or at very least randomly logs on for the guilty pleasure of a “vanity google search” and happens upon this post, let me direct a statement directly to him:

Do get in touch. I’m curious to know what has happened in the intervening years. It’s been too long.

From the back of the Advertisement originally written in a fine hand:

Strangely all my searching for further information on “Dr. Peppy’s Symmetrical Circus” have come up empty. None of the old timers on my uncles side of the family remembers anything about the circus and none of his children’s children remember ever hearing it spoken of. It’s almost as though the Circus never existed! lucky we have this record otherwise it might have been forgotten forever ay?

Essentially the story of Buddy goes like this: In the Mid-30’s a baby gorilla was offered to a freighter captain as a gift from some friends who were African missionaries. The Captain accepted and brought the gorilla aboard his ship, naming him Buddy. He was adopted by the crew and became the darling of the ship being given specially prepared foods, taught to preform seaman duties, and otherwise adored.

A sailor aboard the ship took exception to the discipline doled out by the Captain and knowing how fond the captain was of the baby gorilla threw nitric acid in Buddy’s face as a means of vengeance. Buddy was nearly blinded and forever disfigured. Buddy hid himself refusing food, shrieking, and attacking anyone who came near. The sailors, at a loss for what to do, urged the captain the euthanize Buddy, but the captain knew a wealthy woman in Brooklyn who cared for sick animals and decided instead to bring Buddy to her.

Her name was Mrs. Gertrude Lintz and she was a bit of an eccentric.

Under Mrs. Lintz care Buddy grew to a huge 600 lbs. A plastic surgeon attempted to repair his disfigured face but left him with a permanent terrifying sneer otherwise out of character with his gentle nature.

Evidently one night it was stormy out. Buddy was frightened by the thunder and lighting and broke out of his cage. He crawled like a frightened child into bed with Mrs. Lintz. She decided then and there to give the 600 lb. eight year old lowland gorilla to the circus. She contacted John Ringling in 1937 who came to Brooklyn to see Buddy. He was later quoted as saying:

Ringling bought Buddy on the spot, and renaming him (at his wife’s suggestion) Gargantua, after Rabelais’ giant king of Gargantua and Pantagruel, launched an advertising campaign centered around the gorilla which hailed him as “the largest gorilla ever exhibited” and “the most terrifying living creature.” Millions flocked to see Gargantua. He was a huge success as an attraction which single handedly helped rebound Ringling Brothers & Barnum and Bailey from the ruinous period of the Great depression.

The circus built Gargantua his own special air-conditioned cage on wheels and toured him successfully for years.

From Time magazine, 1938-

June of 1938 saw one of the few comical aspects of the gargantua story when former heavyweight boxing champion Gene Tunny revived the age old Ape vs. Man argument with an article in the Connecticut Nutmeg in which he wrote the following:

In 1941 as a publicity stunt a “marriage ceremony” took place as Gargantua took a female gorilla named Mitoto as his wife. Called “Toto” for short. (Toto had also been property of an affluent woman who during tea with the gorilla had her both her wrists snapped.) Mitoto, Swahili for “Little One,” became known as simply “Mrs. Gargantua.” Ringling had hoped to mate the gorillas. Their first meeting was romanticized in a time Magazine article in March of 41-

In point of fact all that really happened was Gargantua threw some rotten vegetables at his intended mate. Though they toured together for many years they never mated or had offspring.

When in 1949 it became obvious that he was not well, no one dared approach him to find out what the trouble was. He died that November of double pneumonia. Gorillas in captivity often live for 40 years or more, Gargantua, however, was only 20. Newspapers announced his passing with prominent headlines and in 1950 Gargantua’s skeleton was donated to the Peabody Museum where it is still on display.

A sad story if you ask me, one which was later desecrated further in the 1997 flick Buddy. Poor ol’ Buddy.

The Story Behind a Loaf of Bread. A Short History of Bread. A Treatise on Bread and Bread-Making. Breaducation: A Brief History of Bread. Museum of Bread Culture in Ulm Germany. The Museum Of Bread in St. Petersburg. Wiki Bread. The History of bread Yeast. How did early man first come-up with the idea of bread? Breads and Other Cultures.

History of White Bread. The History of a Mouthful of Bread by Jean Macé. The Science of Bread. Ingredients. The cyber toaster museum. Not by bread alone. The greatest thing since sliced bread. “It’s the best thing since sliced bread!” Okay, then, when was that? Sliced bread illegal? What was the best thing before sliced bread? The Symbolism of Bread. Liturgical use of bread. Bread from heaven. Miracle of the Bread and Fish.

The Conquest of Bread by P. Krapotkin. Labor is Bread -Who doesn’t work doesn’t eat. A bread line. Crankshafts or bread. The bread and roses strike of 1912. Song Sheet: A Loaf of Bread. Song sheet: Bread and cheese and kisses. Song sheet: Will friendship buy us bread? Bread and circuses. Wiki bread and circuses. Prosphora. Bread stamps. More bread stamps. Anthroporphic bread. Bread Sculpture. The story of bread with Ms. Sunbeam. The dangers of bread. Signing: bread.

The book has nothing to say by way of introduction unfortunately so the following is from Talasnik’s own site:

Hope you enjoyed. If you did you might want to check out Talasnik’s sculpture as well.

For some more “Paper Architecture” see this previous post on the duo of Brodsky and Utkin.