Romancing the Lachryphage

One of the supreme pleasures of that giddy delirium called human consciousness is an unsuppressable proclivity for filtering each extant instant and event, all objects, and every possible thing through the highly sensitive prism of emotion. The result is, put simply, poetry. We look at things around us, purposeful things, functional things, simple, straight forward things, and create out of them, through pattern recognition, anthropomorphism, and analogy a baroque emotional landscape positively rife with the touching, the gut-wrenching, and the glorious. Though the universe does not know it or care, we look around and we shudder at the significance of it all.

What am I rambling on about? Well, how about, for example, lachryphagy?


Mincing Our Oaths

Thoughts on being a potty-mouthed atheist in a world of Religious profanity.

As a bona-fide atheist I find myself curiously conscious about the oaths I speak. Every time, in a moment of anger, I inadvertently begin barking “Jesus!” or “Christ!” or “God Damn it!” I feel slightly embarrassed afterward, as if my thoughtless reliance on these oaths, and others like them, were a betrayal of my own ideals. It is almost as though the involuntary use of these words, signifiers of Ideas I reject, reveals some sort of personal weakness. What it reveals, however, is the simplest of dumb-dumb facts. Namely that the English language is so brim-full of Religious oaths, that to remove them from one’s vocabulary would effectively render you, in your anger, red-faced and vein-popped but mute. 


A spring day. A holiday. A beautiful day for origins laid bare. The question arises from within and without, from mischievous children and coots embittered by a lifetime in minority, “what do bunnies and eggs have to do with anything?” And there might be a squirm, and their might be a laugh, and there might even be an answer which deigns to include the word “Goddess” or “fertility” or “birth.” It’s a beautiful day for the survival of annexed symbols and the bright light of incongruousness that they shine. There is an implicit acknowledgment of lineage in those symbols that a hundred generations of voices crying “ultimate Truth” can’t drown out; a moon which won’t be eclipsed.

Across the northern hemisphere bodies are goaded and throb, independent of mind and careless of culture, as they always have. Biology, the great uniter, offering every animal their undeniable cues. Today, in the spring light, warm and feminine in its promise of fecundity, we’re presented a beautiful day for clarity. Feeling that light on our face, its winks and hints at comfort, we might ask, “Why should this light be refracted through a lens of bloody beatings and spear tips and torture? What has this light to do with the adventures of a murdered man’s corpse?” Or, “Have we moved the movable feast too far?” Perhaps today is the best day in the year to feel plainly the qualitative difference between healthy biological realities and the dark, gnarled festoons and embellishments of human abstraction.

Note: The image is a detail of Hans Baldung Grien’s Death and the Woman c.1517.

03.23. filed under: belief. humanity. observations. 5

Crows and Coins

Or: Extrapolations from Josh Klein’s Vending Machine

When I first read about Josh Klein’s “Crow Vending Machine” I laughed. It seemed funny as hell somehow. After heading over to Klein’s site to read some more about his invention and intentions I stopped laughing. For one thing it’s supervillian clever. Successfully training crows to scour the earth for cash with nothing more than the promise of a peanutty reward is ingenious. More than that though I stopped laughing because I began thinking about the crows themselves and couldn’t help but extrapolate…

03.09. filed under: ideas. observations. play. 8

And the Hippos Were Boiled in Their Tanks

Being dead has got to be a drag. Being dead and famous? Still a drag, but at least you impressed yourself into the wax of the world sufficiently to live on, if only in name, for a while longer. Being dead and a famous artist? That’s a whole other tank of hippos. It would seem if you achieve fame in your lifetime as an artist your fate after death is to have every awkward, stinking, aborted creative-effort dragged from the darkness of its banishment, tagged, and shoved under the bright lights. That thing you made whilst naked in the mountains, blindfolded, heartbroken, raving, high on poisonous toad-skin, which you set down in grasshopper blood on the back of a banana leaf… that thing which you awoke three days later to find wedged between a wet deer skull and your car’s front tire… if you were too weak to burn it then when you had the chance, that thing will be found and packaged, and your name will be emblazoned across it, and it will be sold. Yes indeed. It will be sold to someone, or anyone, or everyone with a jangling pile of coins burning a hole in their pocket.


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