Quote: Beginning in the early 1860s, Plains Indian men adapted their representational style of painting to paper in the form of accountants ledger books. Traditional paints and bone and stick brushes used to paint on hide gave way to new implements such as colored pencils, crayon, and occasionally water color paints. Plains artists acquired paper and new drawing materials in trade, or as booty after a military engagement, or from a raid. Initially, the content of ledger drawings continued the tradition of depicting of military exploits and important acts of personal heroism already established in representational painting on buffalo hides and animal skins. As the US government implemented the forced relocation of the Plains peoples to reservations, for all practical purposes completed by the end of the 1870s, Plains artists added scenes of ceremony and daily life from before the reservation to the repertoire of their artwork, reflecting the social and cultural changes brought by life on the reservation within the larger context of forced assimilation. – Enjoy the 1021 plates spanning 15 ledgers at Plaines Indian Ledger Art.

For more see: Tribal Arts, Kiowa Drawings, Fort Marion Artists, and Picturing Change.

10.22. filed under: art. history. humanity.

Quote, “I would sooner walk up to the mouth of a cannon, knowing it was going to blow me to pieces, than make another trip over the Falls.” So said the impoverished 63 year old widow Annie Edson Taylor, who ought to know of what she spoke, being the first person to go over Niagara Falls in a barrel. The clever kitten pictured with her here, not hearing the word “food” in the pronouncement, had no opinion.

More on her and the long line of Niagara Falls daredevils: Extraordinary Voyages, A History of Stunting at Niagara, Daredevils of Niagara Falls, How Going Over Niagara Works, Stunters and Daredevils, Niagara Falls Daredevils Ephemera, Anna Edson Taylor, Niagara Falls Daredevil Postcards, Stereoscopic Views of Niagara Falls, Stunts and Stunters, Watercolors of Stunts and Stunters, The Complete Guide to Niagara Falls

10.20. filed under: history. humanity. wtf. 2

I was lucky enough to get my grubby hands on a 1931 book titled, as seen above, Sins of America, by Edward Van Every, and my my are they many. It was a follow-up to a book he put out a year earlier titled, Sins of New York. Both books are collections of stories and illustrations which originally appeared in The National Police Gazette and they are fantastic. The Gazette was a sensationalistic tabloid aimed at the “sporting” single men of the 19th Century. It was sold through barber shops and saloons. It was chock full of dramatic woodcuts of sporting events, brutal crimes, female burlesque performers, actresses in racy poses, and the scandals of the day. During it’s peak it had a readership of over 200,000 and was the most successful such publication of it’s time. More than that it can be credited with the invention of the sports page and the gossip column. Pretty much everything we associate with tabloid journalism, as well as men’s magazines, had a start in the Gazette. 


Eugenics- It’s too broad and prickly a subject to tackle in any meaningful way in the short strokes of a blog post frankly. Debatable issues, movements, historical consequences, ethical quandaries, scientific disciplines, philosophical attitudes all stem from or tangle with it like branches of a gnarled millennia old tree. One thing I can say for certain is that as with all Ideologies seeking to convert themselves into some dispassionate, quantifiable (and hence reputable) Science, Eugenics relied heavily on statistics. It follows that, as with all such endeavors, one of the chief concerns was how best to present said statistics in an affecting way. The Eugenics movement, being focussed as it was on issues of race, class, breeding, and illness (all sources of viscerally opinionated reaction in the annals of human discourse) was able to produce some doozies.


Description: A late 19th Century quarter repeating Swiss lever in a gold full hunter case. Gilt three quarter plate keyless movement with going barrel, four armed cam above the plate to actuate the automaton. Plain cock with polished steel regulator, compensation balance with blue steel overcoil hairspring. Club foot lever escapement. Slide quarter repeating on two gongs. Engine turned 18 carat gold full hunter case, slide in the band, etcetera.

Wow. Pretty fancy! And what is all that high presision Swiss mechanical dodaddery in the service of? What does it all lead to? 

09.18. filed under: history. humanity. play. wtf. 4

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